Lecturas

Dentro de este espacio podrás encontrar lecturas relacionadas con los diferentes temas de las secciones de arriba, en ellas encontraras datos importantes y de mucha ayuda, asi mismo podras ver las discusiones y comentarios acerca de cada lectura.

Diseño Bioclimático Futurista

Environment and Architecture
http://www.unu.edu/unupress/unupbooks/80a01e/80A01E03.htm#Part%201
Effect of Climate on Architectural Form
Environment
Conscious Modification of the Microclimate
Trends in International Architecture
When an engineer designs a machine, a bridge, or a regulator, each line in his drawings is the result of a great accumulation of laws and principles from a dozen different mechanical sciences. He designs the machine to withstand a certain amount of strain and to do a particular job. In both these aspects he must consider and apply all that he has been taught in such fields as physics, dynamics, structural mechanics, and the resistance of materials, and must put into each line a whole library of expertise.
Similarly, when an architect designs a town or a building, every line is determined by the application of the same complex set of mechanical laws, with the addition of a whole collection of other sciences whose provinces are less well defined: the sciences that concern man in his environment and society. These sciences-sociology, economics, climatology, theory of architecture, aesthetics, and the study of culture in general-are no less important to the architect than are the mechanical sciences, for they are directly concerned with man, and it is for man that architecture exists.
The mechanical side of an architect's work-ensuring that his building will stand and provide protection against the elements, or that the street pattern of a town performs its function efficiently-is no more than a preliminary to his real creation. Only when he has provided these mechanical prerequisites, which should be incorporated without question or argument, can he begin to consider the real problem of designing a building. He is rather like the pianist who can start to interpret the music he plays only after he has mastered the technique of piano playing.
A machine is independent of its environment. It is little affected by climate and not at all by society. A person, however, is a member of a living organism that constantly reacts to its environment, changing it and being changed by it.
A plant provides a good example of the mutual interaction between a living organism and its environment. It possesses its own heat and water economies. Its respiratory heat is the result of metabolism which tends to raise its temperature, just as with animals. It perspires, and the evaporation of this perspiration leads to cooling, since every gram of water given off requires between 570 and 601) calories from the plant, depending on the air temperature. Consequently, plants exert a reaction on the microclimate of their environment and to some extent adjust their own temperature to their particular needs.
In the same way, a building is affected by its environment. The climate of the locality and the buildings around it mold the building, so that, even though social, cultural, and economic aspects are important, it owes much of its shape to these factors.
Effect of Climate on Architectural Form
Climate, in particular, produces certain easily observed effects on architectural forms. For example, the proportion of window area to wall area becomes less as one moves toward the equator. In warm areas, people shun the glare and heat of the sun, as demonstrated by the decreasing size of the windows. In the subtropical and tropical zones, more distinctive changes in architectural form occur to meet the problems caused by excessive heat. In Egypt, Iraq, India, and Pakistan, deep loggias, projecting balconies, and overhangs casting long shadows on the walls of buildings are found. Wooden or marble lattices fill large openings to subdue the glare of the sun while permitting the breeze to pass through. Such arrangements characterize the architecture of hot zones, and evoke comfort as well as aesthetic satisfaction with the visible endeavors of man to protect himself against the excessive heat. Today a great variety of devices such as sun-breakers or brise-soleil have been added to the vocabulary of architectural features in these zones.
Notice, too, how the gabled roof decreases in pitch as the rate of precipitation decreases. In Northern Europe and most districts subjected to heavy snow, gables are steep, while in the sunnier lands of the south, the pitch steadily decreases. In the hot countries of the North African coast the roofs become quite flat, in some areas providing a comfortable place to sleep. Still further south, in the tropical rainfall zone, the roofs are again steep to provide protection from the torrential downpours typical of the region.
It is worth noting that so long as the people of the humid tropical regions built their huts with reeds and grass, which allowed air to pass through the walls, the steeply pitched roof was a useful device. However, once they began to use more sophisticated materials like cement block and the common gabled roof topped with corrugated iron sheets, the houses became unbearably hot and stuffy. This kind of roof prevents the catching of draughts at the very level where they prevail, and the solid walls prevent the passage of air.
The traditional flat roof and the brise-soleil of recent tropical architecture, with its modern feel, have attracted the imagination of architects in colder regions who are continuously searching for something different and exotic. The result is that in some northern cities thoroughly inappropriate examples of architecture, with shapes suitable to an alien climate, have succeeded in making the neighboring buildings look old-fashioned without responding to the needs of the people in their climate. The temptation to create up-to-date designs which assails a modern architect prevents him from achieving the chief aim of architecture: to be functional. He forgets the environment into which he will implant his buildings because he is attracted by new and modern innovations and gadgetry. He fails to realize that form has meaning only within the context of its environment.

Environment
The techniques and equipment available to the architect today free him from nearly all material constraints. He has the run of centuries of styles and can choose his plans from every continent on earth. But he must remember that he is not building in a vacuum and placing his houses in empty space, as mere plans on a blank sheet of paper. He is introducing a new element into an environment that has existed in equilibrium for a very long time. He has responsibilities to what surrounds the site, and, if he shirks this responsibility and does violence to the environment by building without reference to it, he is committing a crime against architecture and civilization.
What constitutes the environment of a building? Briefly, it is all that surrounds the site on that part of the Earth, including the landscape, be it desert, valley, mountain, forest, seaside, or riverside, and what is above the surface with its seven zones that envelop the Earth and influence terrestial life. The zone most concerned here is the first, the atmosphere. This zone rises to an average height of 10 kilometers and reaches 20 kilometers in the Tropics. It contains the humidity on which human, animal, and plant life depend. In the six zones above the atmosphere, oxygen, ozone, and hydrogen are present in different concentrations that affect the cosmic radiation reaching the surface of the earth. In the natural order prevailing in the environment, there has always existed a continuous balanced flow of cosmic radiation within which all living organisms and even minerals have been created and evolved.
Some materials are transparent and some are opaque to the various components of this radiation. Man should be careful not to disturb the natural electromagnetic balance by improperly selecting the material he uses for his dwelling. Thus wood is a more desirable material for man's surroundings than reinforced concrete. Aesthetically, man appears to prefer wood within his dwelling in the form of furniture and structural elements, which he often describes as warm, contrary to steel or other metals, which he describes as cold. This psychological effect can be explained in part scientifically by the physical properties of both materials, including their heat conductivities and insulation characteristics.
These details demonstrate that the architect has a moral responsibility to consider whatever may affect the efficiency of the building and the well-being of the people whom he is housing. Besides the tangible and measurable features of the environment, there exist intangible elements, but insufficient scientific information prevents their use in town planning and architectural design. Therefore, this discussion is limited to the tangible and measurable elements of the environment, mainly the climate.
The importance of climate is clear. All living organisms depend entirely on climate for their existence and adapt themselves to this environmental influence. Plants that live in the Tropics cannot live in the Arctic, nor can arctic plants live in the Tropics, unless of course the immediate local conditions-the microclimate-are arctic, as at the top of a high equatorial mountain. Most organisms, in fact, are limited to a habitat of narrow climatic range.
Conscious Modification of the Microclimate
Yet not all species are so limited. Many animals can regulate their own internal body temperature and can maintain it at a constant value even during considerable fluctuations of the air temperature. Man has an elaborate and very sensitive mechanism involving the secretion of sweat and the distribution of blood that keeps him at about 37 °C at all times. In general, warm-blooded animals can survive wider variations than coldblooded ones. Some species manipulate their environment to produce a favorable microclimate: the tortoise does so when it hibernates for the winter. Man, too, does this in a variety of ways. He can change his microclimate by changing his clothes, building a house, burning fuel, planting trees, digging artificial lakes, and using machines to heat, cool, moisten, or dry the air around him.
A principal purpose of building is to change the microclimate. Early men built houses to keep out the elements-rain, wind, sun, and snow. Their purpose was to produce an environment favorable to their comfort and even to their survival. The microclimate on each building site is changed into several different microclimates as the result of the construction of the house itself. The microclimate adjacent to the south wall is quite different from that at the north wall, and the climates at the east and west walls are again different. Inside the building, each room has its own microclimate which is a modification of one or more of the outdoor microclimates.
Before the advent of the industrial era and mechanization, man depended on natural sources of energy and available local materials in forming his habitat according to his physiological needs. Over many centuries, people everywhere appear to have learned to interact with their climate. Climate shapes the rhythm of their lives as well as their habitat and clothes. Thus, they build houses that are more or less satisfactory in providing them with the microclimate that they need. In the warm humid lands of East Asia, the local inhabitants live in huts with flimsy, loosely woven walls that allow the slightest breeze to pass through. The people who live under the blazing sun of the desert construct houses with thick walls to insulate themselves from the heat, and with very small openings to keep out hot air and the glare of the sun.
These successful solutions to the problems of climate did not result from deliberate scientific reasoning. They grew out of countless experiments and accidents and the experience of generations of builders who continued to use what worked and rejected what did not. They were passed on in the form of traditional, rigid, and apparently arbitrary rules for selecting sites, orienting the building, and choosing the materials, building method, and design.
In any approach prescribed by tradition, it is essential that every injunction of the tradition be strictly observed. Thus, if one element were changed in a traditional building method, that change, though small, could destroy the entire validity of the building as a satisfactory solution to the local climatic problems. In this sense, both the material and the way it is used are very important. For example, if mat screens are replaced by corrugated iron or some other solid wall material, then even though the building may appear more substantial, the lack of ventilation could make the interior intolerably hot and stuffy. Modern architects have attempted to solve this problem with modern technology, for instance, introducing the vented screen-wall, using unshaded concrete or brick claustra-work to replace the objectionable solid wall. Many different examples of this can be seen in entire elevations of modern buildings in tropical zones. While such a solution is a definite improvement over the solid wall, careful investigation reveals that it is not as efficient as the humble mat screen. When the sun-breaking or brisesoleil elements of the claustra-work are not shaded, they heat up and then transmit this heat to the air flowing into the building through the claustrawork, as well as reflecting warming solar radiation into the interior.
Every substance that has formed part of a living organism will retain some of its original qualities of climatic response as long as its original structure is not destroyed or significantly modified. Wood, hair, grass, leaves, reeds, cotton, hemp, and other organic materials are sensitive to air humidity. When increased ventilation and humidity are required, matting responds to its climate by absorbing moisture from the air passing through it into the building, thereby reducing the degree of humidity in the room. In contrast, claustra-screen walls can breathe, but they do not perspire. A mat, being porous, is a poor heat conductor, and cools to below air temperature by evaporating the moisture it has captured from the air. Thus it cools the air passing through it. Furthermore, a closely woven mat with loose fibers and bristles around the ropes will intercept dust as well.
Trends in International Architecture
Changing a single item in a traditional building method will not ensure an improved response to the environment, or even an equally satisfactory one. Yet change is inevitable, and new forms and materials will be used, as has been the case throughout history. Often the convenience of modern forms and materials makes their use attractive in the short term. In the eagerness to become modern, many people in the Tropics have abandoned their traditional age-old solutions to the problems presented by the local climate and instead have adopted what is commonly labeled "international architecture," based on the use of high-technology materials such as the reinforced-concrete frame and the glass wall. But a 3 x 3-m glass wall in a building exposed to solar radiation on a warm, clear tropical day will let in approximately 2000 kilocalories per hour. To maintain the microclimate of a building thus exposed within the human comfort zone, two tons of refrigeration capacity are required. Any architect who makes a solar furnance of his building and compensates for this by installing a huge cooling machine is approaching the problem inappropriately and we can measure the inappropriateness of his attempted solution by the excess number of kilocalories he uselessly introduces into the building. Furthermore, the vast majority of the inhabitants of the Tropics are industrially underdeveloped and cannot afford the luxury of high-technology building materials or energy-intensive systems for cooling. Although traditional architecture is always evolving and will continue to absorb new materials and design concepts, the effects of any substitute material or form should be evaluated before it is adopted.
Failure to do so can only result in the loss of the very concepts that made the traditional techniques appropriate.
Only a scientific approach to the evaluation of such new developments can save the architecture of the Tropics and Subtropics. The thoughtless application of modern methods in this region is seldom successful. A thorough understanding of the climatic environment and developments based thereon is essential for appropriate solutions. Although traditional architecture was evolved intuitively over long periods, it was based primarily on scientifically valid concepts. The modern academic world of architecture does not emphasize the value of investigating and applying concepts scientifically and, therefore, has no respect for vernacular architecture. Now is the time to bridge the gap between these widely different approaches.
All traditional solutions should be evaluated scientifically before they are discarded or substitutes proposed. The phenomena of the microclimate must be analyzed and new building materials, methods, and designs must be tested until the complex relationships among buildings, microclimate, and human beings are fully understood. Fortunately, agriculture is perhaps even more intimately affected by the microclimate than architecture, and agricultural scientists have long made careful observations of the climate near the ground and in small localities. Their findings are available to those interested in tropical and subtropical architecture.
Another science to which architecture is indebted is aerodynamics. The methods of investigating airflow around the wings and bodies of aircraft are now being used to study airflow through, over, and around buildings. Scaled and full-size models can be tested in wind tunnels to determine the effect of the size, location, and arrangement of openings on the airflow through individual buildings, as well as the nature of wind patterns and forces between groups of buildings.
Today more attention is being given to the relationship between climate and architecture, and several building research organizations are beginning to examine this relationship.
Various disciplines, including aerodynamics and meteorology, provide an impressive stock of facts that are extremely useful to architecture. The architect is responsible for interpreting these facts and applying them to his designs. In this respect, he resembles the attending physician, who, though using the expertise of the physiologist, radiologist, or bacteriologist, is the only person who can actually undertake the treatment of a case.









2. Architectural Thermodynamics and Human Comfort in Hot Climates
http://www.unu.edu/unupress/unupbooks/80a01e/80A01E04.htm
Temperature
Thermal Conduction and Resistance
Radiation
Thermal Convection
Atmospheric Pressure
Water vapor
Cooling by evaporation
Thermal gain
Thermal Loss
Dynamic thermal equilibrium
Heat-regulating mechanisms of the human body
Measurement of conditions of human comfort

The properties of matter and energy must be considered in order to fully understand climatic phenomena. Heat, radiation, pressure, humidity, and wind, among other factors, interact mutually to establish climate conditions near the Earth's surface.
In this environment of continuously changing pressure, wind movement, temperature, humidity, and cloud cover, an architect places a fixed building. Such a rigid structure is intended to provide a comfortable internal environment over a wide range of these external variables. Two factors facilitate this task: first, in temperate and subtropical zones, ordinary buildings offer fair protection from climatic extremes, and, second, the human body has a considerable margin of tolerance for these variables. However, special treatment is required, particularly in tropical zones.
When considering the architectural design of a building, as well as in town and regional planning, other elements should be considered. The continuous daily motion of the population, which has properties analogous to the humidity concepts of saturation, evaporation, and condensation, must be accommodated in houses, towns, and regions.
Any living organism continuously adapts itself to the flux of its environment. Once constructed, however, a man-made object can no longer adjust itself. This inflexibility of human creation is at once its weakness and its strength. A design can succeed in uniting the particular and permanent with the universal and continuously changing. Yet another design, by failing to sense the forces at work or to create a harmonious union, can isolate and alienate human life.
Before considering the application of scientific concepts to architectural design and town planning, it is useful to briefly examine some basic concepts of architectural thermodynamics and human comfort.
Temperature
The concept of temperature describes the degree of heat contained in a body or a fluid medium or some region thereof, but a clear definition usually is a description of the operations performed in its measurement. Since heat flows from hotter to colder bodies or substances, temperatures can be measured by bringing a thermometer into intimate contact with the body or substance. The thermometer is then assumed to acquire the same temperature.
Scientists use two conveniently reproducible temperatures, the freezing and boiling points of water, to establish temperature scales. On the Celsius scale, the first was taken to be 0° and the second 100°. On the Fahrenheit scale, these values are 32° and 212°, respectively. The temperature of a body so cold that it is incapable of giving up any heat is called absolute zero, - 273.15 °C or - 459.67 °F. However, no limit for maximum temperature is known to exist.
The air temperature range of interest here is that of the extremes in the usual human habitats. Meteorologists have observed air temperatures of - 93 °C ( - 135 °F) and 57 °C (135 °F) at the Earth's surface, a range of merely 150 C° or 270 F°. But narrow though this range may be, it is enormous in comparison with the variation of temperature that the human body can endure within itself. The body maintains a constant temperature of about 36 °C (98.6 °F) at the mouth, increasing to about 37.2 °C (99 °F) in the deep tissues, and can rarely survive if this temperature varies even by 1 C° (about 2 F°) for prolonged periods.
Thermal Conduction and Resistance
The concepts of thermal conduction and resistance are important in attempting to provide a comfortable environment for the inhabitants of hot, arid regions. These heat-flow concepts are based on the movement of a quantity of heat.
The specific heat of a substance is the quantity of heat energy required to raise the temperature of one unit mass of the substance by one degree of temperature.
When considering heat-flow concepts, the notion of rate of heat flow is useful. It equals the rate of displacement of a quantity of heat.
Conduction is the process by which heat flows through a material, or from one material to another with which it is in contact. Some materials, such as metals, are good thermal conductors, while others, like air, are poor thermal conductors. Thermal conductivity is a specific property of a material and is a measure of the rate at which heat will flow through a material when a difference in temperature exists between its surfaces. It is defined as the quantity of heat that will flow through a unit area in a unit time, or equivalently, as the rate of heat flow through a unit area, when a unit of temperature difference exists between the faces of the material of unit thickness, such as the wall shown in figure 1. The thermal conductivity varies with the density, porosity, and moisture content of the material and also with the absolute temperature. The quantity of moisture contained in a material can have a considerable effect on the thermal conductivity of the material; the higher the moisture content, the greater the thermal conductivity. This is important because rain penetration, high humidity within a building, and condensation may result in an appreciable amount of moisture in the building structure. The average temperature of a material is another factor influencing the rate of heat flow; the thermal conductivity may be considerably greater at high than at low temperatures. However, the variation of the thermal conductivity over the range of temperatures commonly occurring in buildings is comparatively small, and thus the thermal-conductivity values measured at normal atmospheric temperature are generally used when considering structural insulation.
In calculations, it is often convenient to use the reciprocal of the thermal conductivity which is called the thermal resistivity. The thermal resistivity may be regarded as either the time required for the transmission of one unit of quantity of heat through one unit area of a rectangular solid material of unit thickness, when the difference between the temperatures of the surfaces perpendicular to the direction of heat flow is one degree of temperature; or the number of degrees difference between these surfaces of the material of unit thickness when one unit of quantity of heat flows through one unit area in one unit of time. Thus resistivity, like conductivity, is a property inherent to a material and is independent of its thickness.
The thermal resistance is a measure of the resistance to heat flow of a material or a combination of materials. The thermal resistance may be regarded as either the time required for the transmission of one unit of quantity of heat through one unit area of material when the temperature difference between surfaces perpendicular to the direction of heat flow is one degree of temperature; or the number of degrees difference in temperature between these surfaces when one unit of quantity of heat flows through one unit area in one unit time. If the thickness of the material is increased there is a corresponding proportional increase in its thermal resistance. If several materials are placed together in layers, as, e.g., in a plastered and rendered solid brick wall, as illustrated in figure 2, the total thermal resistance of the wall may be obtained by adding the resistances for each component, i.e., of the plastering, rendering, and brick masonry.
The thermal conductance is the rate of heat flow through a material or a combination of materials and is therefore the reciprocal of the thermal resistances. The thermal conductance is the quantity of heat that will flow per unit time per unit area of a material for a one degree temperature difference between its surfaces. If the thickness of the material is increased, its conductance decreases proportionately.
The thermal conductance and resistance and thermal conductivity and resistivity already considered have been related to the tempera tures at the material surfaces. The surface temperatures of a building usually are not known. For purposes of heat-loss calculations, therefore, the inside and outside air temperatures are used. In this situation, heat transfer from the warmer to the cooler air mass occurs in three steps: first from the warmer air to the structure, then through the structure, and finally from the structure to the cooler air. Both the inside and outside air-surface interfaces provide some resistance to heat flow.
The thermal transmittance includes these surface resistances and is the rate per unit area at which heat will flow from the air on one side of the structure to the air on the other side. It may be defined as the quantity of heat that will flow per unit time per unit area through the material when one unit of temperature difference exists between the air on each side. In fact, the thermal transmittance may be regarded as the overall air-to-air conductance, which is the reciprocal of the overall air-to-air resistance. The thermal transmittance is of considerable practical importance. It provides a basis both for comparing the insulating capabilities of different wall, floor, and room constructions; and for calculating heat loss from a building for heating purposes in cold climates, and heat gain for cooling purposes in hot climates.
Radiation
All matter emits electromagnetic waves which are generated by the thermal motion of molecules composing the material. Such radiation is called thermal radiation. The intensity and wavelength distribution of this radiation depend on the nature and temperature of the material.
A perfectly opaque material with a totally absorbing and therefore totally non-reflecting surface, which is usually called a black body, emits radiation at the maximum possible rate for any given temperature. This black body is a convenient concept used as an idealised standard, but which should not be confused with an actual object with a black-colored surface. For such an object, the rate of radiation emission depends only on the fourth power of its absolute temperature.
As the temperature of the radiating object increases, the wavelength of maximum radiation intensity becomes shorter, and the distribution changes so that a greater proportion of the energy is radiated at shorter wavelengths (i.e., with higher energy). At temperatures below about 500 °C (about 900 °F), the emission consists almost entirely of wavelengths too long to be observed as light. At about 700 °C (about 1300 °F), the object glows with a dull red color. As the temperature increases further, the wavelength of maximum emission decreases, and the color shifts successively to bright red, yellow, and white.
The energy emitted by a radiating body ultimately impinges on other matter, which absorbs it, reconverting the energy into heat. In this way heat is transferred from one place to another by radiation.
At ordinary temperatures, most nonmetallic surfaces, including painted surfaces, radiate virtually as black bodies-their emissivity is high, and they are good absorbers for long wavelength radiation. Thus, various paints ranging from black to white are found to be indistinguishable as regards heat radiation at temperatures up to 100 °C (212 °F). However, whereas dark paints absorb most of the short wavelength radiation received from the sun, white pigments reflect most of it. And, at temperatures up to 100 °C (212 °F) aluminum and other metallic paints have an emissivity only about one-half that of a black surface. On the other hand, highly polished metals are strong reflectors of radiation, and many such surfaces are almost perfect reflectors of the long wavelength (low-energy thermal) radiation emitted by bodies at ordinary room temperature.
Emissivity, Absorptivity, and Reflectivity
Reference has been made to the importance of surfaces for heat transfer by radiation. To evaluate their emissive, absorptive, and reflective properties, surfaces can be compared with the properties of a black body, which absorbs all radiation falling on its surface and therefore reflects none.
The emissivity of a surface at a given temperature is equivalent to its absorptivity for radiation from another body at the same temperature, since two bodies at the same temperature will remain in thermal equilibrium with each other. The emissivity, and hence the absorptivity, of a black body has by definition, a value of unity, with the values of all real surfaces being in practice less than this value. Radiation falling on an opaque surface is partly absorbed, and the remainder is reflected. Since the incoming radiation can only be absorbed or reflected, the sum of the absorptivity and reflectivity must equal unity. For example, at normal temperatures, an aluminum foil may have an emissivity of 0.05, and thus its absorptivity will also be 0.05, but its reflectivity will be 0.95. This means that it emits by radiation only 5% of the amount a black body emits at normal temperatures. Also, it absorbs only 5% of the radiant energy falling on it (from another body at normal temperatures), and it reflects the other 95%.
The emissivity of a surface at normal temperatures (10-38 °C or 50-100 °F) is not necessarily the same as its absorptivity for radiation received from the sun. Emissivities at normal temperatures are important when considering heat losses from buildings through cavity-wall, floor, or roof constructions. For external surfaces, the absorptivity for solar radiation is important when considering heat gain from the sun. Table 1 gives these characteristics for some common surfaces.
Table 1 shows that the emissivities of white and dark paints are about equal at normal temperatures but that white paint has a much lower absorptivity for solar radiation. A roof coated externally with white paint gains less heat from the sun than if it were a dark color.




Table 1. Average emissivities and absorptivities for some common building surfaces under relevant conditions
Surface Emissivity or Thermal Absorptivity at 10-38 °C (50-100 °F) Absorptivity for Solar Radiation
Black nonmetallic surfaces 0.90 0.98 0.85-0.98
Red brick, concrete, and stone, dark paints 0.85-0.95 0.65-0.80
Yellow brick and stone 0.85-0.95 0.95-0.70
White brick, tile, paint, whitewash 0.85-0.95 0.30-0.50
Window glass 0.90-0.95 Transparent
Gilt, bronze, or bright aluminum paint 0.40-0.60 0.30-0.50
Dull copper, aluminum, galvanized steel 0.20-0.30 0.40-0.65
Polished copper 0.02-0.05 0.30-0.50
Highly polished aluminum 0.02-0.04 0.10-0.40
Source: Heating and Air Conditioning Guide, American Society of Heating and Ventilating Engineers.
Table 2. Reflectivities of various materials and paints
Material or Paint Reflectivity (%)
Red brick or stone 30-50
Slate 10-20
Asphalt bituminous felt 10-20
Galvanized metals (new) 36
Dark paints 10-20
Aluminum paints 40-50
Polished metals 60-90
Whitewash or white paints 80-90
Source: N. S. Billington, Journal of the Institute of Heating and Ventilating Engineers 19, no. 190 (June 1957).
Table 2 gives the reflectivities of various materials and paints.

Transparency
Some substances, such as glass, rock salt, liquids, and gases, are more or less transparent to radiation of certain wavelengths. Glass is transparent to wavelengths within the visible range of the spectrum, but absorbs radiation in the infrared or thermal region, while rock salt transmits a high percentage of infrared radiation. Most solids, however, are opaque to thermal radiation, and in such cases the emission and absorption of radiation are surface phenomena. Thus, the low emissivity of a burnished metal surface depends on the cleanliness of the surface. A very thin film of non-metallic material, e.g., transparent varnish or grease, will increase the emissivity of the metal surface almost to that of a black body.
Clothing and human skin radiate virtually as black surfaces. For radiation at the wavelengths encountered in buildings and other living spaces, the absorption of clothing and skin approximates that of a black object. Indoors, white clothing has no advantage over black. But outdoors in the sun, although both materials radiate heat freely, white clothing reflects most of the solar radiation, while black clothing absorbs the sun's rays.
If the human body emits more radiant energy than it receives from its surroundings, it is, on balance, losing heat by radiation. If, on the other hand, the radiation received exceeds that emitted, there is a net heat gain by the body.
Thermal Convection
Natural or free convection is the process whereby a fluid moves because of differences in its density resulting from temperature changes. If the fluid is moved by mechanical means, e.g., by pumps, fans, or wind, the process is called forced convection. Heat may be transferred by convection between a surface and a liquid or a gas.
Discussions of thermal comfort involve the heat transfer between a surface and the neighboring air. When the surface is at a temperature above that of the air, heat is transferred from the surface to the adjacent air by conduction, thereby changing the density of the heated air. Then, even in otherwise still air, air currents result from the gravitational effects due to the differences in density. These natural convection currents cause much greater heat transfer from the surface than would result from conduction in a perfectly still atmosphere. Obviously, the rate of heat transfer by natural convection depends on the temperature difference between the surface and the neighbouring air.
Perfectly still air is rare. Even in a closed compartment, variations in the temperature of the walls and other surfaces set up air currents, so that there is some air movement. If fans are employed or if there are openings to the outside, the air movement may be considerable. These currents increase heat transfer by convection. The speed of the air current and the temperature difference affect the rate of heat transfer by convection.
Air is a gaseous fluid containing by volume (excluding the water vapor content) 21% oxygen, 78% nitrogen, and a remaining 1% consisting of traces of rare gases (argon, neon, and krypton), carbon dioxide (from 0.3 to 0.4 liters per m³), and carbon monoxide (about 0.03 liters per m³ in urban areas and much less in the countryside). Air also contains water vapor from four parts per thousand to two parts per hundred. Dust and soot particles in air are visible as motes in a sunbeam. The oxygen, nitrogen, and other rarer gases are called permanent gases because they only become liquids at temperatures approaching absolute zero, whereas water undergoes continuous change between its gaseous and liquid states within the common range of air temperatures encountered in human climatic zones.
Atmospheric Pressure
Air exerts a pressure on any surface in the atmosphere which corresponds to the weight of the column of air that it supports. Every surface in the neighborhood of sea level carries a load of about 1 kg per cm², or 1 ton per ft². As the altitude increases above sea level, the atmosphere below no longer contributes to the pressure, which is correspondingly reduced.
Using this concept, atmospheric pressure can be expressed as the height of a column of mercury in a barometer, in millimeters or inches, with the pressure at sea level being 760 mm or 29.9 inches of mercury at a standard temperature of 0 °C (32 °F). The barometer reading must be corrected for the temperature of the mercury as well as for the latitude.
The bar is the unit of pressure in an absolute system of measurement adopted for scientific use to replace the arbitrarily chosen column of mercury. Atmospheric-pressure measurements in meteorological work are normally expressed in units of one millibar. One bar corresponds very nearly to 750 mm or 29.5 inches of mercury at 0 °C (32 °F), or 1019 cm or 401 inches of water, which is the atmospheric pressure a little above sea level.
Water vapor
At temperatures throughout the climatic range of the normal human habitat, water can exist as solid ice, liquid water, and gaseous water vapor. At the freezing point, ice and water can exist together. Above this temperature ice is completely converted to water, and below it, only ice exists. However, regardless of whether the water is solid or liquid, the air above it contains a certain amount of water vapor.
Generally speaking, the permanent gases in the air produce the pressure indicated by a barometer. However, if water is present at the base of the column of air, that water partially evaporates (becomes water vapor) and contributes to the atmospheric pressure. This share depends on the temperature. Air containing the maximum possible amount of water vapor for its temperature is said to be saturated. The temperature at which condensation begins in a mixture of air and water is termed the dew point.
There are several ways to express the relation between humidity and temperature. The amount of water vapor that a volume of air can support at saturation can be expressed as grams or grains of vapor per volume of air, or as the portion of the total atmospheric pressure that the water vapor contributes. Similarly, the water-vapor content of unsaturated air can always be expressed as the portion of the total pressure that the water vapor contributes, called the vapor pressure, or as the amount of atmospheric water vapor in grams per m³ or grains per ft³. These values can also be determined with respect to the dew point, which is the temperature to which air must be reduced, without altering its barometric pressure, to reach saturation. In this way, the watervapor content of air at a given temperature can be expressed as the ratio of the portion of the total atmospheric pressure contributed by water vapor to the portion necessary to cause saturation at that air temperature. This ratio, most often expressed as a percentage, is called the relative humidity.
Appendix 1 gives the values of water-vapor density and pressure for saturated water vapor over the range of temperatures from -1034 °C (1493 °F).
A given volume of water vapor is lighter than the same volume of air at the same temperature and pressure. In the atmosphere, therefore, saturated air is lighter than dry air of the same temperature and pressure. When water evaporates, the vapor simply rises into the air. If this process occurs in open air where there is freedom of motion, the water vapor can displace the equivalent volume of dry air without affecting the atmospheric pressure. Near water surfaces, therefore, rising water vapor is continuously replaced by dry air, which in its turn dampens and rises into the air. This water vapor eventually reaches a certain height, condenses on the floating particles always present in air, and becomes visible as clouds.
The processes involved in weather phenomena are not so simple. Such factors as heat, radiation, pressure, and wind interact to establish relative balances in the atmosphere, resulting in the constant recycling of water by evaporation, cloud formation, cloud motion, and precipitation.
Water vapor and temperature, pressure, and air movement are very important to the study of the climate and the microclimate both outside and inside buildings. They are key to an understanding of the formation of clouds, rain, dew, frost, and nearly all other meteorological phenomena. The behavior of water vapor must be understood to comprehend the physical and physiological processes of cooling by evaporation-the phenomenon upon which thermal comfort in hot climates largely depends. If air in a room is saturated with water vapor and its temperature decreases, then some water vapor will condense, leaving in the air only the amount that can be accommodated at the new temperature. However, if the air temperature rises, the air can accommodate additional water vapor and is called "dry air." This air can be described as "thirsty" until its temperature falls or it encounters water from which it can absorb vapor.
In winter, a dry feeling in the throat can result when moisture from the human body evaporates in a room overheated by a stove. A heated kettle of evaporating water can reestablish the moisture content of the air, corresponding to its increased temperature. The same feeling of dryness occurs in hot weather when evaporation of perspiration is necessary to lower body temperature. Here a parched throat indicates the need to drink water to maintain the supply of perspiration.
When air temperature drops below the saturation point, water collects in droplets on the dust particles always floating in the air. Or, if the air is in contact with a sufficiently cold surface, water vapor will condense on that surface. Thus water condenses on cold walls just as on a drinking glass containing a liquid cooled by ice. Similarly, when an amount of water vapor exceeding the saturation limit is introduced into air in an enclosed space, the excess vapor will condense, as on a bathroom mirror in winter or on the inner surfaces of the windows of a closed automobile with many people.
Cooling by evaporation
Water will evaporate from a wet surface if it is exposed to air with a dew point lower than the surface temperature. The rate at which water evaporates from the surface depends on the relative humidity of the neighbouring air, the surface temperature, and the velocity of air movement. Thus, for a wet surface at a given temperature, a reduction in relative humidity or an increase in air velocity both increase evaporation.
Energy is needed to convert water from liquid to vapor. This latent heat of evaporation must be supplied by the wet surface, which thus loses heat or is cooled. This process is called adiabatic cooling, because it does not involve a transfer of heat to or from the air participating in the process. Therefore, the air is allowed to cool as it expands and to heat as it contracts, and the temperature, pressure, and relative humidity of the air change without varying the total heat content.
This phenomenon is used for cooling in hot dry areas such as in Iraq, where the people place against the windows panels of dried desert plants, which are kept moist by water dripping from perforated pipes positioned above them. In the grasslands of Australia, where farmers cannot obtain ice, butter is kept cool in food chests with sides of chicken-wire netting filled with charcoal. When the chests are placed in the shade outside and their sides are kept moist with occasional sprinkles, a sufficiently cool environment is maintained in the chest.
Thermal gain
The various ways in which the interior of a building can gain heat without recourse to internal heating devices can be examined. Solar radiation is the principal source of heat in hot arid zones, and this heat can be transmitted during the day to the building interior in a number of ways.
The most important is by conduction of the absorbed solar radiation through the walls or roof at a rate determined by the thermal conductance (or thermal resistivity) of the building material used, the surface area receiving solar radiation, and the properties of the surface, principally its color and texture. The relationship involving the incoming and reflected solar radiation, absorbed and reemitted heat and heat gain is shown in figure 3 for the case of a typical white painted surface. In this case, it is seen that 3% of the incident energy is transformed into heating the structure. Obviously, shading can be used to prevent solar radiation from directly falling on building surfaces.
If any openings permit the solar radiation to penetrate into the interior, then heat gain results from the direct heating of internal air, surfaces, and objects. The heat gain is proportional to the area of insolated internal surfaces. This mode of heat gain can be easily avoided by obstructing the passage of light.
Heat gain can also be caused by ventilation, which results when warm outside air flows into the building replacing the cooler interior air that escapes to the outside and by external air exchanging heat with the internal air. The rate of gain is dependent on the ventilation rate. Ventilation heat gain can be avoided by restricting the size of openings, especially during the heat of the day.
The other sources of heat gain are the inhabitants of the building themselves and household equipment such as electric lights and appliances. These sources, unlike the solar radiation, can contribute heat even at night.
Figure 4 illustrates these modes of heat gain.
Thermal Loss
The difference between diurnal and nocturnal heat losses in a building when not considering artificial cooling devices, is not marked as in the case of heat gain. Heat is lost by conduction through the walls, by exactly the same process that it is gained from the direct solar radiation once it has been absorbed by the surface, or through the roof by a combination of convection and conduction.
Ventilation is also another mode of heat loss which occurs when hot air escapes through an opening in the roof or a wall to be replaced by cooler air from outside. Nocturnal heat losses can be retarded by closing vents.
Evaporation from the surface of the building or from objects within the interior can produce a cooling effect on the building which acts as a source of heat loss. In hot arid climates, this can be a particularly effective cooling mechanism since the rate of evaporation in dry air is very high.
Figure 4 also shows the modes of heat loss.
Dynamic Thermal Equilibrium
At any particular time, the heat gained by the building can be expected to be balanced by the heat lost and an internal temperature distribution thus established. These temperatures are dependent on the outside (ambient) temperature and the ratio of the heat gained to the heat lost and can be adjusted by regulating the sources of heat gain and loss. For example, if one were to reduce to a minimum the heat losses of an insolated building, the internal temperature would rise, much as in the case of an automobile left in the sun with its windows closed. This is called greenhouse gain. On the other hand, a very cool internal temperature could be obtained by shading the insolated surface, obstructing direct penetration of solar radiation, enhancing a flow of cool air, using thick light-colored walls made of a low thermal-conductivity material, using high ceilings provided with roof ventilation, and providing sources of evaporation including possibly a roof pond and an internal fountain.
However, in fact, the temperature situation within a building changes slowly throughout the day for two important reasons. First, the solar radiation and external temperatures vary slowly, and the internal temperatures are constantly adjusting to the changing rates of heat gain and loss. Second, the mass of the building structure does not react instantaneously to external changes but has a thermal inertia requiring from many minutes to hours to adjust to a temperature change. The principle of thermal inertia can be used advantageously to provide dynamic heating and cooling of a building by selecting the wall material and its thickness such that the warmth of the day penetrates the building only after nightfall when it would be welcomed and is dissipated before morning.
Thus, it is seen that the microclimatic situation of a building is in a constant state of flux and that the equilibrium that is established is a dynamic one. When providing a comfortable microclimate, it is necessary to reduce the extreme fluctuations to within the range of human comfort by regulating the various parameters that govern heat gain and loss.
Before examining the systems and devices that have been developed to do this in the hot arid zones, it is first necessary to have an idea of the heat-regulating mechanism of the human body and the microclimatic conditions for human comfort.
Heat-regulating mechanisms of the human body
As discussed earlier, the human body must maintain a fairly constant temperature over a considerable range of external air temperatures. The human body is subject to the same laws of physics as other objects, gaining and losing heat by the processes described above, namely: radiation through space; conduction between bodies and/or substances in contact; convection involving the transfer of heat from a warm body to a body of air above it, which then rises to be replaced by cooler air; and evaporation, which requires that the evaporating surface give up some heat. However, the human body is not simply a passive object warmed or cooled like metal or water. Its metabolic processes generate its own heat as well, similar to a heat-producing engine. Like any other engine, it burns fuel, in the form of food, and converts this into heat and work. As with an engine, work cannot be generated without producing some heateven if unwanted-which must be dissipated just as for an automobile.
In a hot environment, the heat generated by the human body must be dissipated. Body heat regulation is essentially the maintenance of a balance between heat gains and losses. The body has an excellent heat-regulating mechanism, which under normal conditions can adjust its temperature to maintain the appropriate heat balance. Only when it is exposed to prolonged severe conditions do serious difficulties arise.
The metabolic processes of the living human body continuously generate heat. Even at complete rest, an important quantity of heat is produced. This basal heat production amounts to 73 kcal/h (290 Btu/h) for an average adult male. For a short time he can increase this rate eightfold through violent exercise, although over 24 hours the average heat production would not amount to more than 130 % of the basal rate for sedentary work and 300% for heavy manual labor.
Table 3. Heat gain and loss processes for the human body
Mechanism Gain Process Loss Process
Metabolism Basal heat production
Digestion
Activity
Muscle tensing and shivering in response to cold
Radiation From solar radiation-direct and reflected To surrounding air
From radiation by radiators
Conduction From air above skin temperature (increased by air movement) To air below skin temperature
From warmer bodies in contact To cooler bodies in contact
Evaporation From respiratory tract
From skin covered with perspiration or applied water
Table 3 shows the modes of heat gain and loss between the human body and its surroundings for the metabolic activities and three mechanisms of physical heat exchange, namely, radiation, conduction, and evaporation.
Air movement has a significant influence on the heat transfer between the skin and air and will increase the transfer rate in whichever direction it is proceeding, i.e., either to or from the body. Air movement increases the rate of heat loss by evaporation. For continued heat loss, the evaporated water vapor must be free to move away from the site of evaporation. Thus the difference between the vapor pressure at the skin surface and that of the surrounding air controls the ease with which evaporation cools the skin. The vapor pressure at the skin surface results largely from the extent to which a water film covers the skin, which may vary from less than 10% of the skin area on a cool, dry day, to 100% when the skin is bathed in perspiration.
The consequences of heat stress can be important. When the human body has difficulty losing heat, the blood vessels of the skin dilate, allowing much more blood to circulate and cooling by heat loss through any of the processes discussed above. But this increase in blood-vessel volume may exceed the body's ability to provide a corresponding amount of blood. To compensate, other blood vessels in the internal organs may receive less blood, although this still may not yield sufficient blood. During such a relative blood shortage, the brain, located at the highest part of the body, may be deprived of an adequate supply. Brain tissue is most sensitive to the shortage of oxygen and quickly produces the characteristic symptoms of "heat exhaustion": lassitude, headache, nausea, dizziness, uneasiness, and ultimately fainting. However, a wide range of lesser disturbances probably interfere with efficiency without resulting in total exhaustion. In addition, the human body has a remarkable sweating capability. With moderately hard work under hot dry conditions, a man can produce about 1.5 liters (3 pt) of perspiration per hour. Although he probably would not keep this up for more than two or three hours, he could lose as much as 8 liters (4 gal) in one day, which must be compensated for by drinking water. Eight liters is a large quantity of water for the body to handle, and even at lower sweating rates there probably will be periods when water loss exceeds supply. Then the already precarious blood supply is depleted still further and the risk of heat exhaustion is increased. Further indirect consequences of heat stress are lowered alimentary activity due to the insufficient blood supply, discomfort from hot and moist skin, the risk of skin disturbances when moist skin is chafed, possible salt deficiencies due to sweat loss, and perhaps urinary stones from reduced urine flow.
Thus it is important to avoid conditions that stress human heat-regulatory processes until they interfere with normal body functions or health. A permanent state of human comfort need not be guaranteed, but there is a range of microclimatic conditions that can be maintained with an effort that is more than recovered by the saving in human efficiency. Securing this degree of climatic improvement should be the aim of tropical architecture.
_______________________________